Each morning, after the stars have tired out from a busy night of playing in the sky, the big mean sun comes up and scares them away. The stars, one by one, hide in the ocean, waiting to come out and play again at the end of the day.

Nada, but you can order brand new ones from us. Operation Manuals & their pritti pritti covers found ovah here.

Absolutely. Emagic's SoundDiver contains librarian & editor modules for the SE-1 and ATC-1, and an Omega module is on the way. The never crashing Galaxy still rules nonetheless... same goes for StudioVision.

Mono vs. stereo/2 part multi-timbral for starters. One external input processor vs. 2 auto-triggering external input processors. Additionally, the absence of an Oscillator, in the case of the Omega and a more modern VCA design (think Moog Source transistor array), dramatically distinguish it from the SE-1X. The SE-1X uses the classic Minimoog VCA design. I must have an SE-1 for the leads, with its three oscillator groove and spongier amplifier. And conversely my Omega 2 has that tight low end, snappier envelopes and positively transparent "voice" perfect for my bass needs.* Ring-mod on the SE. Cross-Mod on the Omega2. Linear glide on the SE. Exponential on the Omega. Pick your poison friend, it's all good. Massive sound effects abound on both boxes.

I adore 'em, both. Each synth has its own groove, if you will; couldn't live without either of 'em. But check it:

The additional S.E.M. filter modes, the 5-6 stage envelopes, and the Multi-timbral power, i.e., the extra voice and independent MIDI channel, of the Omega Series Synths do tend to open up the patch programming flava and function considerably. Please peep the web-site for a spec-by-spec comparison.

Both available in custom finishes (I recommend the chrome edition) and graphics, i.e., logos, signature drop-shadows...

* Ironic considering how many bomb beats have been put down with an SE-1 bumpin' the bassline.

Some helpful 411, some of which may look a bit familiar:

The absence of an Oscillator in the case of the ATC-1 and a more modern VCA (think Moog Source transistor array) design, distinguish it from the SE-1X. The SE-1X uses the classic Minimoog VCA design. I must have an SE-1X for leads, with its three oscillator groove and spongier amplifier.* And conversely my ATC-1 has got that tight low end, snappier envelopes, and positively transparent "voice"; perfect for my basses. Ring-mod on the SE-1X, Cross-Mod on the ATC-1. Linear glide on the SE, Exponential on the ATC. Pick your poison friend, its' all good. Massive sound effects abound on both.

The O.S. on the ATC-1 is essentially a closed affair, while the SE-1X is flash-upgradeable and open ended, at this point. Of course the knobs and switches on the X are a joy to use for sending simultaneous controller data. I appreciate 'em equally. Do peep the web-site for a spec-by-spec comparison. SE-1X available in custom finishes (i recommend the Lexus Grey edition) and graphics, i.e., logos, signature drop-shadows...

* Again, odd considering how many worldwide joints have straight dominated with an SE1 destroying the bassline.

The filters are sonically identical. What follows is not exhaustive (close) but illuminating.

ATC-1:

Single voice
Mono output
1 external input processor
c.v. and gate input and output
512 patches in RAM
Mini filter standard - 2 band S.E.M., 2600, 303 filter optional
3, 4 stage envelopes - quasi exponential
Exponential glide
1 digital rotary encoder, 50 candy colored membrane switches
3 character red l.e.d. display
2 rack spaces
10 lbs.
10 inches deep
...pretty candy colors r nice...

Omega 2:

Double voice, 2 part multi-timbral
2 Individual stereo outputs
One main stereo, one main mono output
2 auto-triggering external input processors
256 sound patches, 128 Multi patches in RAM
Mini filter, 4 band S.E.M. filter standard - internally mounted 2600, and 303 filter optional.
3, 5-6 stage envelopes - true exponential
Exponential and linear glide
Arpeggiator
1 rotary encoder, 12 knobs, 30 tactile switches
16x2 back lit liquid crystal display
2 rack spaces
10 lbs.
15 inches deep
...little brother to the Omega8...

Each synth has its own voice. JUST DON'T MAKE ME CHOOSE!
But check it: The additional S.E.M. filter modes, and "deeper" envelopes provide much in the way of sonic diversion, and diversity with the Omega Series. Omega 2 available in custom finishes (i recommend the candy apple red edition) and graphics, i.e., logos, signature drop-shadows...

Call us if you need to go deeper.

Absolutely. Check out the X Upgrade page for more info, but do it soon, cuz there's a waiting list.

I have a late model SE-1 that has a second unmarked 1/4" jack on the back. What's it for?

That's the external audio input. It takes the place of the Noise Source when an input is plugged in.

Of course it is! Your SE-1 needs room to breaaaaaathe, my friend. As we've posted on the mailing list, A space above, a space below... didn't Jimmy say that, as well? Expect a natural drift of 10-12 ticks... remember this monsta is keepin' it real... very real.

You need to cut a trace, add a jumper wire and update your OS to 2.51. Peep this finely illustrated .jpg to get the modification specifics then visit our store to price and purchase an OS 2.51 EPROM.

Thanks 4 buying our handmade gear. $15.75 gets u an SE-1, or SE-1X manual.
Operation Manuals & their pretty pretty covers found ovah here.

We no longer make the SE-1 (used b-stock trade-in units often available), only the SE1X. The X Upgrade Info should help to point out the major differences between the two. Check the SE-1X pages for further info - brochures waste trees - and peep the popup jpg for some visual aid. Nothing can compare to the S.E. "discrete analog sound engine" approach. There is a reason why the world - from Hiphop and R&B, to Film Scoring and all things Euro, looks to STUDIO ELECTRONICS, for that warm, dependable sound and soul satisfying analogue phattness.

Chick Hearns. God love 'im. And our prayers are with you Chicky baby.

However, if you do not have the Limited Edition "Legendary Sportscaster " Model, it may look something like this (scroll to the bottom).

Well, not really. At least not until you ask this querry via email. Everybody LOL!
Now go here friend: Chart

Only for maternal blood relatives, on alternating Fat Tuesdays, or, in special cases like yours: Specs

Quasi-exponential software curves - Caswells hermetic blend of 11.11 non-irradiated herbs & spices.

Sounds like your unit looked at and "luved up", i.e., tuned, calibrated and cleaned-up. Drop us an email and we'll see what we can do for you.

Thanks 4 buying our handmade gear. $19.75 gets u an ATC-1 manual.
Operation Manuals & their pritti pritti covers found ovah here.

The transdimensional actuator isn't correctly inserted into the positron 13db filter generator. Actually, it does work, and quite well, in fact. You need to get the latest OS for the Omega, available here.

The sound of the dedicated 2 voice is identical to 8, however, if one wants to upgrade from 2 voice to 8, gradually or suddenly, one must purchase a large chassis version Omega (4 rack space chassis); essentially a stripped down Omega 8. Will cost a bit more to be incremental in your polyphonic additions, as the unit and its surrounding filters need to be recalibrated each time the lid is popped. Call 4 prices: 310.640.3546 or 818.776.8104.

Both available in custom finishes (i recommend the Envi Green"signature edition") and graphics, i.e., logos, signature drop-shadows...

A "Signature Series" among other competition-crushing-custom-options for the Omega Series Synths is now available - bend space-time, and click here to see what it's all about.

Certainly. Example: One would assign the synth card, or voice (ideally set to a mono patch), docking the 2600, that filter destination (termed: AUX 1) and could make good use of it in MULTI, PREPARED, or SPLIT 1-7, with it covering the bass or lead register, or any other for that matter.

We been busy taking over the the world. Solution here for Mac; und here for PC.

Technically, yes, but you should contact us for more information?

I'd like to buy either an SE-1X or a MIDIMINI but I can't decide which one to get. While I appreciate that the SE-1X comes very close to the real Minimoog sound, I wonder whether the MIDIMINI might have an edge over it in terms of sound quality. By the way, does the MIDIMINI use real Moog components or does it not?

There hasn't been the demand necessary to sustain production of the MIDIMINI for several years. However, it it possible an updated MIDMINI MAX (prototype debuted at summer '02 NAMM) could come late this year; but at around $2900.00 it might be priced outside of certain consumers means. I MSR, have both units and the MIDIMINI, brilliant though it "be", is rarely utilized. The SE-1X is much more capable, versatile and most importantly inspiring, with no discernible compromise in sound quality to my ears. I work that reedy 12db S.E.M. filter to death (not included on the Minimoog of course).

For the record: Our 19" rackmount MIDIMINI is a part for part, lovingly point to point wired, mil-spec (where necessary), reproduction of the original Moog's guts and glory, with many added hardware innovations and improvements - not to mention the effective and elegant software interface; as with all things S.E.: Proudly hand-crafted and assembled in the U.S. of A..

Thanks 4 buying our handmade gear. $10.75 gets u a MIDIMINI manual.
Operation Manuals & their prittee prittee covers found ovah here (scroll to the bottom).